Shockwave Supernova
Joe Satriani
Like the explosion of a genuine supernova.
How easy the master made it to describe the opening to his new disc, the heart
and soul of the great guitarist's set on his umpteenth world tour. This is
Satriani for all tastes, from the hardest rocker to the purely virtuoso. With
nothing to prove now, a song like Crazy
Joey is a delight albeit not suited for everyone who may dare to follow him.
But the instrumental prowess displayed in On
Peregrine Wings is, like the album title, something otherworldly, only for
those who know how to surf with an alien…
Fifteen albums and all of them good, but
his most recent one is a truly well-rounded disc. In addition to a repertoire
of his recognized skills well worth discovering, Joe Satriani has tapped into the
heaviest side of his musical personality. Rock has always been his main point
of reference and, in fact, half of the guitarists in the heaviest groups in the universe, from Metallica to Dream Theater,
have studied with him. Steve Vai is another story. He's another
extraterrestrial.
But instead of becoming a household name,
Satriani preferred to take chances playing the songs of other artists without
losing his identity. To settle for being just another blues legend, if you'll
pardon the expression, wasn't enough for someone whose hero growing up was Jimi
Hendrix. His brief stint with Deep Purple was memorable and this writer can
testify to that, but he outgrew it. For more proof of his passion for the
hardest side of the rock world, look to his role as a producer of death metal.
With all that said or, better still,
written, the time has come to complete the portrait of Joe Satriani as rocker
deluxe. His new disc wraps all his power within a silk veil. The rhythm section
of the Aristocrats -drummer Marco Minnemann and bassist Bryan Beller- combined
with Mike Keneally's proficient keyboards will put the low end of your system
to the test while that guitar rips
through the air with solos that cut sharp as a knife. Like the bursts from a
supernova.
However, Satriani's bursts don't burn. His
eclecticism has enabled him to live on the fringes of chart success, where it
has always been difficult to flourish with instrumental albums that in his case
fulfill their role to accompany, not disturb, perfectly. His great virtue is
having earned the respect of both the leather & studs heavy brigade and the
acclaim of the general public who fills his concerts. That is something no can
dispute he earned through his own hard work.
Of course, Satriani also leaves room for a
pair of those ballads where he sustains his notes out to infinity, songs one
sector of his fans loves to death while the rest take the opportunity to wander
off looking for another beer. They sound as forced as the name of one of those
moments of peace in the midst of all the cosmic bursts: Stars Race across the Sky. He certainly didn’t rack his brain too
hard.