The beauty of the roots
By Sergio Ariza
American
Beauty is the great album of the Grateful Dead, a perfect record on which can be found some of the
best songs of their career such as Box Of
Rain by Phil Lesh, Sugar Magnolia by Bob Weir, and three absolute classics by the main two composers in
the band (Jerry Garcia putting the music and Robert Hunter the lyrics) such as Friend Of The Devil, Ripple and Candyman, plus the hymn that closes it, Truckin'.
After the release of Live / Dead, García and the band, the main champions of West Coast psychedelic
music, were interested in a return to roots - country and hillbilly music -
touched, of course, by their instrumental expertise. By that time Garcia had started
playing the pedal steel guitar and had proven to be a prodigy with it; without
taking lessons, or reading any books, Garcia had simply grabbed a ZB and had
begun to practice for hours with it. In a short time he was playing with his
friend John Dawson in gambling dens
and having such a good time that they decided to form a band, New Riders Of The Purple Sage.
Following in the steps of Dylan and The Band, the icon
of psychedelia returned to the roots and sought inspiration in the country and
bluegrass of its beginnings. For this reason Garcia contacted Crosby, Stills & Nash to teach the
Dead to sing in harmony and, in return, added his Pedal Steel on Teach Your Children.
In the moments in which country rock was being
born, Jerry Garcia defined his sound with his Pedal Steel, as before his SG had
done with psychedelia. The pair of records that came out of this era can beyond
doubt be considered their best studio albums, Workingman's Dead and American
Beauty.
The second, the one that concerns us here, is marginally
the best of the pair. It begins with the emotional Box Of Rain, composed by Lesh and Hunter, and is the best
contribution by the bass player to the band's repertoire. In an álbum in which
Garcia’s acoustic, his Martin D-18, is prominent, the solo is played by David Nelson with his Telecaster
providing a strong country flavor. Then comes Friend Of The Devil, another of the great moments of the band, and
according to Hunter "the closest
we've ever been to writing a classic." His lyrics about an outlaw
pursued by the police and finally by the Devil is pure Dead, but the most remembered
part remains the acoustic riff played by Garcia.
Then it is the turn of Bob Weir with one of
his best songs, also with lyrics by Hunter, Sugar
Magnolia; one of the songs most played live in their career. Weir's Gibson
ES-335 is passed through a Leslie in one of the most upbeat numbers on the
record. Candyman is gorgeous and
Garcia's pedal steel is able to give you gooosebumps.
Ripple is the song that opens the second side and shows that, for a brief
period, the most famous live band in the US found pure magic in the studio.
This is one of the most beautiful and sad melodies ever created by Garcia and
contains one of the lyrics of which Hunter is most proud. The album closes with
Truckin ', composed by the four main
members, García, Lesh, Weir and Hunter who hit the nail on the head with this
description of life on the road that defined the band perfectly: "what a long, strange trip it's been."
For this track Garcia returns to the SG and allows himself one of the few solos
on the album.
And so it is that in this period the most
famous ‘jam’ band in the US (even the Allman
Brothers were influenced by them) found the most perfect songs of their
career and decided to pay homage, in the simplest way possible; and achieved
their best and most remembered album, although hardly the most representative.