The marvellous simplicity of rock
By Sergio Ariza
Free was
formed in London in 1968 with the coming together of a quartet of very young
and talented group of musicians: singer Paul
Rodgers, guitarist Paul Kossoff, bassist Andy Fraser and drummer Simon
Kirke. After recording two notable albums in 1969, a great opportunity came
to them that same year when the newly created supergroup Blind Faith took them as their support act on their only tour. Eric Clapton had noticed the young Kossoff and
they developed a friendship that led them to exchange Clapton's 59 Gibson Les
Paul for Kossoff’s Custom from the mid-50s. The guitarist of Free had begun to
use that model after seeing Clapton playing with the Bluesbreakers; while the ex- of Cream was in love with the studied vibrato
of Kossoff.
Everything indicated that
Free was going to be the next great group from the English blues rock scene
that had already given Cream, Fleetwood
Mac and Humble Pie. They had
everything: a guitarist with a unique feel, an incredible singer and two
composers, Fraser and Rodgers, of the highest order. They just needed a song
that made everyone see what the rest of the musicians already knew. This
arrived in the most unexpected way when, following a disappointing concert,
Fraser decided that it was necessary to write a rock anthem to finish their
live performances. In the dressing room he began to sing what would become All Right Now - and in a few minutes the
song that gave them immortality was ready.
The song hit the top five
in the British and American charts and, in a moment, the doors of success were
opened. But Fire And Water, the album
that contains it, went far beyond its most famous song. It opens with the title
song, a great theme with a splendid riff courtesy of Kossoff. Like everything
he touched, he was influenced by the slogan "less
is more". The guitarist knew that that motto was one of the strengths
of the band: "our strength resides
in our simplicity", he said. Free was not an experimental band by any
means, but all of its elements were combined in the best way: Rodgers’ perfect
voice, Fraser’s songs and bass lines and, as a finishing touch, the Kossoff
class.
On Oh I Wept Kossoff's guitar seems, in effect, to weep, with his
famous vibrato demonstrating all its splendor. Remember is further proof of the tremendous imprint that Otis
Redding had on the fantastic voice of Paul Rodgers; it is pure soul for the
singer that Rod Stewart and Mick Jagger called "the best voice
of rock", and the icing on the cake is another fantastic solo by Kossoff. Heavy Load is a ballad that opens with a
piano, one of the few instruments that appear on the album besides the guitar,
bass, drums and voice of each of its members. Again it is a vehicle that makes
Rodgers shine as he caresses every word as if it were the last; while it has to
be said that the singer’s strengths are not in its lyrics, nobody could deny
the incredible feeling in his voice. Fraser stands out again with a melodic
bass line and Kossoff does not enter until the end but when he does he lets
himself be noticed, playing notes that would make B.B. King himself smile.
Mr. Big opens side two masterfully, and is one of their
best songs as it is built on a solid drum beat and a few chords, with Fraser
crowned as one of the best bass players of all time with a great job on the
four string, with a solo included. Don’t
Say You Love Me takes them back to ‘soul territory’ where they perform so
well, with Rodgers and Kossoff in unison at the emotional end of the song. And
then comes the closing with the iconic All
Right Now, the song with which they reached the top and which is the best
proof of the talent of these four excellent musicians who at the time of this
recording were 17 years old (Fraser), Kossoff 19, and Rodgers and Kirke 20.
An extreme youth that
foreshadowed much more important things, which was confirmed by their
outstanding contribution at the Wight Festival that year before 600,000 people.
But what should have been the beginning of their reign, was only the peak that
announced their decline. Fights between Rodgers and Fraser, in addition to the
deterioration of Kossoff because of drug abuse led to their dissolution in
1971. They never again reached the levels of Fire And Water, but it is proof of the enormous talent they had
and, in particular, the incredible guitarist who was Paul Kossoff, a man who
did not reach the age of 26 and whose ashes rest next to a plaque on which you
can read: All Right Now.