You say you want a revolution...
By Paul Rigg
It was time for a change of direction and
Gallagher successfully delivers it on Who
Built the Moon?,
his third ‘solo’ studio
album, released on 24 November 2017.
Gallagher himself noted the need for a new direction in a recent
interview “I don’t know how far I can
take [my usual approach] anymore. You can do songs [that are similar in]
essence, you know what I mean? I’m at a stage now where I don’t even want to
fucking do that, and I’m my biggest fan.”
The result is his most refreshing, adventurous and joyful record in
years.
For Who Built the Moon? Gallagher has
decided to team up with producer David
Holmes, who has clearly pushed him out of his comfort zone. In fact he did
this quite literally, because Gallagher is used to writing at home, but for
this album Holmes strongly discouraged it. “At first I thought I would just pretend to
come up with stuff in the studio that I’d already written,” says
Gallagher. “He won’t know. How would he fucking know? Of course he knew, because it all sounded
like me. He was like, “Don’t fucking bullshit me.”
Their joint work in a
‘different space’ has produced an album full of surprises: there are, for
example, lyrics in French, James Bond-like themes, eastern grooves, phased
guitars, samples, synthesisers, psychedelic and orchestral touches.
“People are
going to be surprised. I think people love Noel and they’re desperate for him
to make a really big, bold, up-tempo beast of a record – a lot of Noel’s music
is quite mid-tempo,” said
Holmes. “This one is fun.”
One track that has particularly gained
critical plaudits is Holy Mountain.
This track began life as a keyboard riff before the chords were added, but
Holmes felt more could be done with the chorus and reportedly insisted that
Gallagher keep re-writing it. After eight re-writes, Gallagher’s reaction might
be imagined – in fact he has said that he wanted to throttle his producer. But
now Noel Gallagher says “you know what…
he was right!”
Holy
Mountain, pre-released as a single, is a
glam-rock romp with Beach Boys
touches, and some Paul Weller
keyboards thrown in for good measure. It is an exuberant ode to love, which has
Gallagher singing “She fell! She fell! Right under my spell. She danced! She danced! Into
my hands.”
It's a
Beautiful World was the
following single but, for this critic’s money, Gallagher’s guitar riffs and the
big sound of Black and White Sunshine is by far the better song. Be Careful
What You Wish For is another standout number on the album, with its
driving, funky riff that recalls the Beatles’
Come Together.
The two weak guitar instrumental ‘interludes’
aside, Gallagher’s relies less on his 1960s Gibson ES-355
than previously, but draws on the genius of his long-time friend Johnny
Marr on
the track If
Love Is the Law to good effect.
As for the
lyrics, Gallagher says “I guess if you’re a guy playing guitar
these days, you’re obliged to write about the news. But it’s almost
revolutionary not to, and to focus on the joy and uplifting nature of rock and
roll instead of like, “Wow, Trump,” you know, “Brexit.” [That approach] fucking
rolls me up the wrong way.”
A huge UK and Ireland tour now back’s up the album’s
release and judging by the quality and sheer fun of these new songs, we expect
the tickets to be snapped up.