Welcome to 'Daviesland'
By Sergio Ariza
It may be that the Kinks are the least known of the four great bands from the 'British
invasion' (Beatles, Stones, Who and
themselves), but they are no less important. Something else is chronologically second in the string of six
consecutive masterworks that Ray Davies'
band released between 1966 and 1971. Continuing with the stylistic change
established by Face to face the Kinks
continued to distance themselves from American influences and the styles of the
period to create something that was both entirely their own and,
simultaneously, utterly universal. The promotional note on the record said: Welcome
to 'Daviesland' and it could not have been more spot on. 'Daviesland' was a
magical place and 100% English in which the small pleasures of tea in the
afternoon, cigarettes, lead soldiers or the view from Waterloo station at
sunset were glorified.
Ray Davies is one of the most perfect
composers in the history of pop and possibly his most exquisite song can be
found on this album: Waterloo sunset.
This track can be considered one of Ray's great works, as the music and lyrics
go hand in hand to create something unique. Despite being Ray's work the final
result benefits from various key collaborations, including the descending bass
line of Pete Quaife, who also added
the famous "sha la la"; while
those magic "ooohs" were
the idea of Rasa, Ray's wife, who
sings at the same time as Dave and Pete and, lastly, that marvellous guitar by
one of the most underrated guitarists in history, Dave Davies. Dave's mythical Flying V has a ‘delay’ effect that
recalls the instrumentals of the 1950s and the younger of the Davies brothers
plays with the melody of the song to finish off this gem, of which Ray stated "the song could not exist without the
marvellous guitar playing of my brother; when that guitar starts something
magical happens". Furthermore, besides the jewel in the crown, Ray
delivers songs like the vigorous and ironic David
Watts, the melancholy bossa nova of No
return, a nod to Indian music, as he had already done in See my friends and Fancy, from Lazy old sun,
and the incredible story of Situation
Vacant, which confirmed Pete Townshend's
view that Davies should be named "poet
laureate".
But, furthermore, Something else represents that rare case in the discography of the Kinks
where the older Davies brother allowed the talent of the younger, Dave, to
shine, which here delivers three great songs, among them the splendid Death of a clown, which again benefits
from the marvellous backing vocals of Rasa, and which was released under his
name as a single, despite being recorded by the group.
Something
else was the first album produced by Ray Davies himself
and it represents the moment when the group began its slow commercial decline.
This is a real shame as there are few groups that can boast a record of this
breadth and quality, and many less, of the incredible creative moment that the
group and its leader had in this period. It was a record released just after
the Summer of Love but that exists outside any specific epoch; in its own
place, a marvellous place in which to contemplate the most melancholy and
beautiful sunset in the world.