Highway 61 Revisited (1965)
Bob Dylan
The poet
who looked at the future through the strings of a Strat
Some of us
are too old, others are too young, we all run the risk of getting lost between
the verses of a Nobel which was only missing a date. Bob Dylan lit one of the
fuses of our own cultural revolution, and without him, nothing would be blowing
in the wind in our world which, on this side of it, still seeks answers. We run
the risk of forgetting that on the day he donned a Fender he discovered in our
favourite instrument another voice that the whole world would understand and
listen to.
The day he
chose to hang an electric guitar around his neck could have been just a fucking
fluke; the nutmeat of one of his mythic fits.
And the booing and jeering that ensued, due to poor sound, cut short a
gig and ended up pissing everyone off.
What happened that 25th of July, 1965, on stage at the Newport Folk Festival,
(or rather what survived in the wings) was something inevitable, the logical
evolution of a musician conscious of the changing times that was dawning in
many spheres, and also in popular music. (Dylan, by
the way, never returned to the Newport festival until the 25th of July 2015, at
74).
Maybe it
was also a flip of luck when the bad-humoured genius asked for an electric
guitar and they handed him a Fender. His Stratocaster Sunburst from 1960 that,
like what happens to many legendary
guitars belonging to famous guitarists: mysteriously vanished in an airplane.
Also a flip of luck might have been the reappearance of the guitar years later,
or Dylan’s reassurance that it was not the one he used in Newport, for which
there is plenty of evidence.
In such an
undemanding guitarist as he is, with a Black Strat and Telecaster (blonde of
course) he has more than enough to work with. In some instances, he'll strap on
a Les Paul, but the Gibsons have always been there for special occasions, such
as the acoustic gems SJ-200 that bear his name.
In the
mid-60s, Dylan got ahead of the elite universe of intelligentsia that smoked
anything they could get their hands on in the California campuses, seeing
before they did, that rock and roll was the future and that later on
electricity would be the universal amplifier for what he wanted to tell the
world.
The
big-shots of folk however, soon stopped pulling out their hair and burning
their records. Dylan gave notice in 1965 with Subterranean Homesick Blues,
fronting an electric band for his fifth record, and with Bringing it all Back
Home, and Highway 61 Revisited few months later, the metamorphosis was complete.
All he
needed was to play a few notes on the
strings of his new guitars to make the world go round once again. Like a Rolling Stone.
(All images: ©CordonPress)