In the style of the 1986 Guns N’ Roses
By Miguel Ángel Ariza
The year 1986 was going to
be a crucial year in the career of one of the most recent great rock bands in
history, Guns N' Roses, a band that
was the direct heirs of the giants of the previous decade, the golden times of
the genre, and was responsible for carrying that torch until it was picked up
by the ‘90s grunge generation. In 1986 Guns and Roses signed their first major
record deal with one of the world's largest companies, Geffen Records and, as a celebration of that union, the following
year they released the record by which they will be eternally remembered, Appetite for Destruction, an album that
would always allow them to hold the rank of rock stars by selling more than 30
million copies, and led to them monopolising the charts around the world for
months. The throne of rock had new kings.
Shortly before that
breakthrough almost every member of the band was in a precarious economic
situation and, in some cases, they had a variety of addictions that made the
verb ‘save’ not very fashionable in the group. Hence, some of the instruments
that had the honor to be used on that record and with which the band began to
play huge stadiums all over the world were not too ostentatious, such as Duff McKagan's Fender PJ Bass as, with
the advance that McKagan received from Geffen, he could have bought himself a bass
guitar from the then newly opened Japanese Fender factory. That PJ-555 had some Seymour Duncan series pickups installed that would become an essential
part of his sound and that of the band.
Izzy Stradlin seemed to be smarter with
his purchases than his colleagues because he managed to buy for a more than
affordable price a Gibson semi-hollow ES-175
whose box, far from being held back by its possible feedback or its classic
image and not very aggressive for the time, became a hallmark of his tone
during those years. He was also seen shortly afterwards with a Carvin SH225 (also semi-hollow). But he
didn’t only use this type of guitar at that time, and we can also seen him with
a more virile guitar, such as the ESP
Eclipse Custom.
And to finish the trinity
of string instrumentalists in this famous band we have to talk about a guy
called Saul, known all over the
planet as Slash, who we could talk about for weeks. However, in
this article we will only say that in those years, after having flirted with
several BC Rich models such as the Mockingbird and the Warlock and others from the Jackson
brand, a guitar model that would be forever linked to his image and of which he
has been a great defender over the last 30 years: the Gibson Les Paul ... however, neither of the two Les Pauls that he
had when he was recording the Appetite
for Destruction were authentic Gibson. The first is said to have belonged
to none other than Steve
Hunter and was built by a luthier named Peter
'Max' Baranet. The second Les Paul that he acquired and used in the final
touches of the recording of that masterpiece was also a replica, this time
built by Kris Derrig; who finished
up building the now mythical Seymour
Duncan Alnico Pro II almost by chance (they were the ones in the store).
That guitar became the main guitar of one of our most recent guitar heroes, and
Slash has played it on each and every one of the Guns N' Roses albums, as well
as employing it in his solo career.
Shortly after the release
of that album, the economic problems disappeared from the lives of these
musicians and they certainly invested a lot of money in improving their
equipment. What they could not improve in the rest of his career was the 1987
album release of Appetite for Destruction,
an album that began by welcoming us to a jungle that a few years later would
end up devouring each and every one of the members of this band, and cause
their separation.