In The Style Of Bob Weir
By Miguel Ángel Ariza
We have to
talk today about the dead, specifically one very alive, Bob Weir, the man who played 'the other' guitar of the Grateful
Dead. Jerry Garcia had all
the fame, and his death in 1995 made him forever a legend, while Bob Weir took
all the girls (it seems an honor that no one in the band can argue with him).
Weir has carried the legacy of 'the dead' over these last twenty years by reliving
their songs along with other original members of the band and sharing these
lysergic ceremonies with other artists so idolized by Guitars Exchange such as John Mayer and Johnathan Wilson.
He made
himself known to the world by using the same guitar as Jerry Garcia back in the
60s, a Guild Starfire IV; but soon
found in a Gibson Es 335 of 65 the
sound that was going to characterize him as a rhythm guitarist and that,
therefore, was going to define the sound of the Grateful Dead in what we
consider his golden years, that is, the late 60's and early 70's.
Years
later he would collaborate with the Japanese brand Ibanez to create a signature model that ended up being
crystallized in the 2681 model. This
is quite similar in appearance to a Gibson
SG, a guitar that he also used during the mid 70's. It is not the only
signature model that we find in his career; currently the brand D'Angelico
also has a model with his signature: the Premier
Bob Weir SS Signature.
The next
step in search of the perfect sound for the band was again led by Jerry García.
They both switched to custom guitar models made specifically for them by
different constructors. It is more than likely that both guitarists looked for
very light weight electric guitar models because, remember for those not versed
in the career of the Grateful Dead, they toured almost every night with concerts
that stretched for hours. When you do that and the years start to weigh heavy,
there comes a time when you are going to have to have a conversation with
yourself; and its a conversation in which you are likely to end up losing.
Certainly slightly lighter are the
acoustic guitar models that have gone through his hands, like one of his
countless Martins, or some of his
nylon string guitars like the Alvarez
Tairy WY-1.
Finally,
it should be noted that in the last years of the Grateful Dead, both Jerry
García and Weir switched to MIDI guitars, the iconic Casio PG-380. It is curious that artists who have one of these
vintage instruments (that so attract us common mortals) from the beginning, or
can acquire them with just one call end up leaving them at home. While millions
of people seek to imitate the sound of their oldest records, they, faithful to
their free nature, continue to search for new sounds that lead them to new
songs, and continue with that endless tour in which Bob Weir has now been immersed
for five decades.