In The Style Of Allen Collins
By Miguel Ángel Ariza
If we were
superstitious we would be frightened to pronounce the name Allen Collins aloud
as tragedy seems to haunt the biography of this artist, but in fact we are not
supersitious and we say it aloud: Allen Collins is a real animal of the
electric guitar and one of the pillars on which Southern rock is built; first
for his compositions and second because he showed us the wild side of Southern
rock with his all powerful band Lynyrd Skynyrd.
We are
talking about an artist who ‘accumulated’ during his career more accidents with
mortal victims than models of used guitar, but the truth is that it is not too
difficult as he mainly used one guitar above all in his period of glory with
his colleagues from Florida, his 1964 Gibson Firebird, to which he
would add another two Firebird’s of the same year. All of these guitars had
light modifications and alterations; he not only changed the pickups to his
favourites (a P-90 on the bridge and a Mini humbucker on the neck) but also
made a good bunch of repairs over the years that made these guitars quite
different to the original model.
But we
cannot forget that in the collective unconscious the guitar that we link to
this guitarist is his 1958 Gibson Explorer, a model which Gibson
honoured him with a signature line. It was in 1976 when this model made its
first appearance in Collins’ life, and therefore in the life of Skynyrd, although
as many of you will know it wasn’t too much longer before the fatal plane
accident that ended the band’s story.
Collins
was part of the band that introduced itself to the world with a - never before
seen - trio of guitarists on stage, but he mainly made a perfect duo with Gary
Rossington, who was in the band all the years that was active. They
complemented each other as if they were a single guitarist. Collins was
responsible for searching for an alternative tone to the sound rigorously
produced on each theme by the 1959 Gibson Les Paul Standard of his
colleague. To add textures Allen Collins had to make use from time to time of his
1964 Fender Stratocaster, mainly from the time that Ed King left
the band until the arrival of Steve Gaines.
His Firebirds
and his Strat were usually plugged into a Fender Super Reverb, a Marshall
Super Tremolo or a Fender Twin connected to a Marshall
amplifier. It was from the fourth album onwards when the combos and Peavey headpieces
started to appear, which is what we see in some of the band’s concerts. And to
finish off with his gear the pedal that perhaps most closely accompanied him
was his Vox Wah.
This is
more or less that main gear with which Allen Collins cheated death during his
career until it finally beat him in 1990, after years living in a wheelchair
and with paralysis in one of his arms that ended up taking the guitar from his
arms… but Allen Collins is not dead because each time Freebird rings out on some broadcast or record player on planet
Earth this guy continues to live, and not in a wheelchair… this guy flies.